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康赫，小说家，剧作家，戏剧导演，影像写作创导者，不写诗的诗人。“我在北京生活了二十多年，正好和在浙江老家一样，不知道该算哪儿人。”康赫说，“北京犹如沙地，是流浪汉们的故乡。因而我的命和我的父母一样，是垦荒。”作品长篇小说 :《人类学》、《一个南方的生活样本》、《独行客》影像写作长片：《你好，元点》、《光体》、《裸体采访》短片：《影像人类学》、《一位青年的“洋葱”故事》、《剥洋葱》、《一次关於热内的影像写作》等导演原创戏剧作品：《审问记》、《采访记》、《泄密的心》、《陌生人》、《受诱惑的女人》、《中国鬼魂》、《杂音》编剧作品：《堂吉诃德》声音作品：《中国声音研究之东方红》影像写作文论：《康赫唯一的影评：蔑视》（《艺术世界》杂志2011年第一期）、《闭合与突破》（《上海文化》2018年03期）、《无尽的写作》（《新美术》2018年02期）、《影像中的人物空间关系》（《上海文化》）、《纠缠不清的两个人》（《上海文化》）

Kang He, comes from Xiaoshan, Zhejiang Province, who was born and raised by an bushman and the homeless man. Lived in Beijing from August 1993. After several relocations, he came to Huilongguan from Wangfujing, then took his wife from his hometown and had a son later.  He has changed many careers, such as tutor, chinese teachers of foreign company, columnist of fashion magazines, editor of university website, project planning of performance company, editor of geography magazine, journalist of daily newspaper, director of drama, publisher of food magazine, video writer, stylist, university guest teacher, whip corpse people of contemporary art, image writing promoter. From the real to the virtual, until there is no such. A poet who never wrote poetry. From reality to nothing, until there is no such. A poet who never writes poetry. "Beijing is like the sand, the hometown of the tramps." He said. Therefore, his life is the same as his parents. Works:Full-length novel: Anthropology, A Sample of Life in the South, SolitaireImage Writing Feature Film: Hello Yuan, Light, Nude InterviewShort Film: Image Anthropology, A Youth's Onion Story, Peeling Onion, An Image Writing about Genêts, etc.Directerd Original Drama Work: Interrogation, Interview, Tell Tale, Stranger, The Tempted Woman, Chinese Ghost, NoiseScripting Work: Don QuixoteSound Work: Oriental Red of Chinese Sound ResearchImage Writing Theory: The Only Film Review of Kang He: Despise (Art World Magazine, Issue 1, 2011), Closed and Breakthrough (Shanghai Culture Magazine, Issue 03, 2018), Endless Writing (New Art Magazine, Issue 02, 2018), The Spatial Relationship of Characters in Image (Shanghai Culture Magazine), Two Tangled People (Shanghai Culture Magazine)

戈达尔：寻找绝对货币

Godard: Looking For The Absolute Currency

2019年08月16-20日
2019.08.16-20

放映Screening ︎

《小兵》
The Little Soldier
《赖活（随心所欲）》
My Life to Live
《已婚女人》
A Married Woman
《阿尔法城》Alphaville
《狂人皮埃罗》Pierrot le Fou
《美国制造》Made in U.S.A
《我略知她一二》
Two or Three Things I Know About Her
《中国姑娘》La chinoise
《周末》Week-end
《东风》Le Vent d'est
《激情》Passion
《芳名卡门》Prénom Carmen
《向玛丽致敬》Hail Mary
《李尔王》King Lear
《爱的挽歌》In Praise of Love

把自己借给他人，将自己献给自己
Lend yourself to others, dedicate yourself to yourself

一毛钱的战争影像
A dime of war imagery

“影像写作是一种写作，它用影像来从事书写与表达，是文字书写的延伸，从拿笔在纸上写到拿相机在时间线上写，创作者可以用任何他认可的写作手法写他乐意写的任何东西。影像写作与文学写作一样，是个人的事业，一个彻底孤独的事业，是个体直接面对媒介、面对未来阅读关系的一种实践。影像写作既不是文学也不是电影，它是冲破文学与电影、纪实与虚构边界的影像行动。它只认可真实，影像真实，写作者个人的影像真实和阅读者个人的影像真实。影像写作针对整个现有的电影工业、从电影生产到电影放映的相关制度，以及依托于电影工业体系的影像创作模式，它针对电影整体的败坏，也针对一个已经来临的人人可以‘影写’的时代。”

工作坊将通过戈达尔的影像创作， 讨论每个创作者都避不开的问题：我是什么？我的创作基质是什么？适合这两个什么的语言是什么？我正面对什么？我找到的语言该如何处理我面对的什么？我如何物色合作者吸纳新语言来处理我新面对的什么？





"Image writing is a kind of writing. It uses images to write and express. Image writing is an extension of writing. From writing on paper with a pen to writing on the time line with a camera, the creator can write anything he likes to write with any written method he recognizes. Like literary writing, image writing is a personal career, a completely lonely career, and a practice of individual facing the media directly and the future reading relationship. Image writing is neither literature nor film. It is an image action that breaks through the boundary between literature and film, documentary and fiction. It only recognizes authenticity, image authenticity, personal image authenticity of the writer and personal image authenticity of the reader. Image writing is aimed at the whole existing film industry, the relevant system from film production to film projection, and the image creation model based on the film industry system. It's aimed at the overall deterioration of the film, and it's also aimed at an era in which everyone who has already arrived can 'write' ."

Through Godard's image creation, the workshop will discuss issues that every creator can't avoid:

What am I?
What is my creative base?
What language is suitable for these two?
What am I facing?
What should I do with the language I found?
How do I find collaborators to absorb a new language to deal with what I am facing?