关于艺术家 ABOUT ARTIST

程新皓，1985年出生于云南。2013年毕业于北京大学化学与分子工程学院，获博士学位。现作为艺术家工作生活于云南昆明，以录像、装置、写作等方式，关注中国背景下的现代化、知识建构和空间生产等问题；并以身体为媒介，建构个人体感与特定历史时空之间的连接。

Cheng Xinhao was born in Yunnan(China) in 1985. He received his PhD on Chemistry from Peking University in 2013. He is working as an artist in Yunnan now. With videos, installations and article writing, his works investigate on the issues in the modernization, the construction of knowledge as well as the production of space in Chinese society. He also uses his body as a medium to build the connection between personal affect and specific historical narratives and places.

关于嘉宾 ABOUT GUEST

陈柏麒，出生于广东澄海，获芝加哥艺术学院现代艺术史及艺术管理双硕士学位，OCAT深圳馆研究员。

Chen Baiqi, born in Chenghai, Guangdong Province in 1991. He received a dual Master's degree from the School of the Art Institute of Chicago. Currently, Chen is a researcher of OCAT Shenzhen.

河流与愚人金

The Rivers and the Fool's Gold

还归何处，There They Return Again 三屏录像 three-channel video，40’03''，2019


《盘龙江植物图考》Botanical Iconograohy of the
Panlong River，130 x 210 x 15 mm，208页/page，2019





关于合作机构 ABOUT COOPERATION

OCAT深圳馆是OCAT（OCT Contemporary Art Terminal，简称OCAT）成立最早的机构，也是馆群中的总馆。其前身为OCT当代艺术中心，长期致力于国内和国际当代艺术和理论的实践和研究。从2005年开创至今，OCAT深圳馆一直围绕着艺术的创作和思考而展开其策展、研究和收藏工作。OCAT深圳馆的展览项目既包括了对艺术家个体实践的考察、研究、出版和展览，也包括对于艺术课题的深入研究和综合展示。

OCAT Shenzhen was founded in 2005 and functions as the headquarters of the OCAT (OCT Contemporary Art Terminal) Museums. As the first art establishment among the OCAT museums, OCAT Shenzhen has a long-term commitment to the practice and research in the field of contemporary art and theory both inside of China and in the international arena. The programs of OCAT focus on in-depth surveys, research, publication, and presentation of both individual artists and thematic group exhibitions.

“愚人金”是程新皓在OCAT深圳馆正在进行的个展，由陈柏麒策划。在这个展览中，艺术家以居住在中越边境上的少数族群“莽人”为核心对象，试图梳理看似遥远的边疆和沿海制造业中心之间的隐秘联系，并以此揭示治理术、资本和一系列行动者之间的关联。

这次分享将从展览开始，介绍程新皓从2013年开始的一系列艺术项目。程新皓曾经是一名理科博士，在毕业之后成为了自由艺术工作者。从最早的系列“对一条河流的命名”到现在正在进行的“陌生地形”与“东岛博物志”，他使用的媒介从一开始的静态影像，逐渐转变为视频、装置与文本编织，但基于研究、田野调查和身体在场的工作方法一直贯穿始终。策展人和艺术家将从这些改变与坚持的东西出发，聊聊艺术创作、研究和展示中的纠结和取舍，以及他们各自的一些工作计划。

进行中项目

东岛博物志（2017-）

在长期项目< 东岛博物志> 中，程新皓发起的艺术项目就是对东岛进行的再调查。他召集了学者和艺术家朋友们，以文字、录像、装置、摄影等多种媒介围绕着东岛进行了各自的创作并将之进行共置。这个项目试图从当代知识制造的角度，重新回应在和永玉在< 东岛博物志> 中所蕴含的超越于东方- 西方两种传统之外的新分类的可能性。

过往项目

来源不同的时间（2015-2016）

此作品回应的是玉龙山下茨满村在城市化过程中发生的事件。作品由四个部分构成，分别叙述了地质学的时间、村庄当下的时间、村庄的历史时间以及人的肉身处于这种时间之中的张力。为了在分析现实的同时保持现实的复杂性，不使其沦为某种简化的叙述，我试图提出复调叙事(Polyphonic Narrative)的方式以再现这些共存于当下的状况。

对一条河流的命名 （2014-2015）

盘龙江是流经昆明的一条河流，长不到一百公里，在昆明建城之前就已存在。河流在时间和空间的变换中展示着自身，其生命存在于时空的纠缠中。而我所能感知的是它在我生命时间中的投影，一种变质的切片。当我尝试以收集者式的客观去接近，得到的却只是最个人化的碎片。那些似是而非的标本在时空中解体而又重新交织，幻化为另一条同样复杂的河流，一条由我所命名的河流。




The Fool's Gold is an ongoing solo exhibition by Cheng Xinhao in OCAT Shenzhen, curated by Chen Baiqi. In this exhibition, the artist focuses on the ethnic group “Mang”, who mostly living on the Sino-Vietnamese border, trying to sort out the hidden connection between the seemingly remote frontier and the coastal manufacturing center, and to reveal the link between governance, capital and practitioners.

This sharing will begin with this exhibition and introduce a series of projects started by Cheng Xinhao in 2013. Cheng was once a doctor of science and became a freelance artist after graduation. From the earliest series "The Naming of a River" to the ongoing "Strange Terrains" and "Nature History of the Eastern Island," the medium he used gradually changed from static images at the beginning to the waving of video, installation and text, but his working method based on research, field investigation and physical presence has been running through all the time. The curator and the artist will start from these changes and persistence, and talk about the tangle and trade-offs in artistic creation, research and presentation, as well as their respective new work plans.

ONGOING PROJECT

The Nature History of the Eastern Island（2017-）

In his long-term project "Nature History of the Eastern Island", Cheng Xinhao launched a re-investigation on this island and also on Ho's legendary trip. He assembled his artists friends and made films, installations, sculptures and pictures. These works are new studies on the construction of knowledge.

PROJECTS

Time from Different Sources（2015-2016）

This artwork is a response to these contingencies of urbanization about Ciman village. The four components of the artwork speak respectively of geological time, contemporary time in the village, historical time in the village, and the tension of the physical body existing within this time. I attempt to reconstruct these coexisting contemporary situations through a polyphonic narrative approach.

The Naming of a River（2014-2015）

The Panlong River is less than 100 km in length, and is the cradle of Kunming's civilization.The river presents itself so differently at various times and spaces, and thrives on every one of them. Therefore what I can feel about the river is only its projection within my lifetime and my living quarters, and apparently a metamorphic slice. I tried to be objective towards naming of it, but all I obtained is still the most personal treasures. These pieces of my treasure are the specimens about the river in various time/space dimensions. They interweave and consolidate into another equally complex river - a river named by me.