关于艺术家 ABOUT ARTIST

卤味高清频道始于2016年8月，是彭文彪（1987）、陈嘉莹（1991）、李冠廷（1993）、陈诗颖（1991）、陈恒春（1991）五人组成的艺术创作小组。成员均来自广东，受粤语和珠三角流行文化影响，相信社会现象和个体经验中蕴藏着时代特定的基因信息。艺术家糅杂了这样一些信息，将之重构出不同的叙事，通过录像、插画、文本等形式，让这些信息重新回到观众的视觉经验里。代表作品有《情感追击》系列、《都市情缘》系列、《南头城市花园》、《监控风云》等。

Lu Wei HD Channel is an art group founded by Peng Wenbiao (1987), Chen Jiaying (1991), Li Guanting (1993), Chen Shiying (1991) and Chen Hengchun (1991) in August, 2016. They were all born in Guangzhou, influenced by Cantonese culture, they believe that social phenomenon as well as personal experience both contains genetic information of their era. The artists mixed these information and re-construct them into different narrations, using videos, illustrations, etc, so the information is brought back to the audience's visual experience. Representative works: Feeling Attack series, Urban Love series, Nantou City Garden, Monitor Matters.

《卤味高清频道》放映会

Project Screening of Lu Wei HD Channel

2019年04月21日19:30
2019.04.21 7:30pm

放映Screening ︎

《南头城市花园》
Nantou City Garden
《旅行团》
Tour Group
《走失的团友》
The Lost Man
《保安》
The Security Guards
《背包客》
The Backpacker
《ATM》
《行车记录仪》
Driving recorder
《收费站》
Toll Station
《电梯》
Elevators
《游戏事件》
The Games Event
《伪装者》
The Pretender

《南头城市花园》宣传片，高清录像，5'20''
Nantou City Garden - promotion, HD video, 5m20s, 2017

《南头城市花园》在2017深港城市建筑双城双年展中展出，其中虚拟建筑以深圳南头古城为原型，囊括了南头古城城中村原有的和旅游景区的所有功能，而大大缩小了其占地面积，这样的奇观被打造为一处城市旅游观光景点，名为南头城市花园。作品中展示了“南头城市花园”的宣传片、品牌纪念品、故事名片和形象海报等，营造出一个景区的导览服务中心。

《监控风云》利用了真实的监控录像片段作为素材，还原片段中故事,围绕原故事作延伸叙事，以探讨进度条外的情绪，以及情绪背后的人本身，如何观世界和观自身，我们如今多了些眼睛，名叫监控。此项目在线上展出，为艺术论坛和2018上海双年展委任创作项目。




Nantou City Garden was exhibited in 2017 Bi-City Biennale of UrbanismArchitecture. The virtual building is based on Shenzhen Nantou Ancient City, which covers all the functions of the original and tourist attractions of Nantou Ancient City, and greatly reduces its occupation. The area, such a spectacle was built as a city tourist attraction, named Nantou City Garden. The promotion film, souvenirs, story cards and posters of Nantou City Garden are displayed in the works to create a guided tour service center.

Monitor Matters uses real surveillance video clips as material, restores the story in the clip, and extends the narrative around the original story to explore the emotions outside the progress bar, and the people behind the emotions. How to observe the world and ourselves. People have more "eyes" now,  it called monitoring. The project was exhibited online and commissioned for the Art Forum and the 2018 Shanghai Biennale.