所有今天,所有明天
All Tomorrows, All Todyas 
两只脚走路
Walking With Two Feet 



关于艺术家 ABOUT ARTIST

杨洋
,回族。1993年生于内蒙古呼伦贝尔牙克石市。现生活工作于广州。

Yang Yang
, Ethnic Hui. Born in Yakeshi City, Hulunbuir, Inner Mongolia in 1993. Living and working in Guangzhou now.




有些地带没有人会知道,那里的自由只属于鹰。

There are areas where no one knows that freedom belongs only to eagles.


2019年03月13日19:30
2019.03.13 7:30pm

放映Screening ︎

《羊》 Sheep
《橘子》 Orange
《刀》Knife knife
《⽩驹过隙》Foal gap
《温暖的阳光》
Warm sunshine
《不饥不食》
No hunger, no food
《渡》Pull Through



磨去马具,黄铜现成品,‘16×7×16cm
Rub off the harness, Ready-made brass products, 16×7×16cm, 2017

不同信息匮乏的往日,生活中面对的问题在出现时也就得到了解决。在我创作的过程中,多数的由来都是在生活的各种相遇中得到启发也有些说不清道不明,甚至在与作品相处的时间里我也搞不清这是什么。而这来自本能对生活的反馈,也不会给予理性的思考赋予作品某种定义,况且刚过弱冠几年,生命经验又能有多少?又有哪些经得住推敲沉淀?反而也是在于这种状况中它在生命里已是那么独一无二。

《羊》

在草原清晨泛起的烟雾中,牧民的生活从清扫园子开始了。相隔不远的城市里,在一座清真寺内老人领着孩子去为勿了的亡人诵经祈祷。相隔不远城镇边缘的牧场,羊圈的护栏打开,羊倌在清点着羊的数量是否和昨天一样,大羊、小羊冲了出去爬上山坡,消失在清晨的雾中。清真寺内宰杀的母鸡被阿訇口中的经文所赦免了食者的无罪。此时山林中又要去寻找一只落队的小羊。它没有跟上羊群是因为它的眼睛瞎掉了,我们就把它吃掉吧!城镇里荒弃的公安局,一位脑出血的老人自己一个人在进行康复训练,缓慢的移动着脚步,旁边一位赤裸的侵入者走向破楼的深处。羊群中羊倌在驱赶着走散的羊,人群中两位摔跤手在互相扯着对方的重量。马儿在草地上奔跑,人们在寺中祈祷。入夜归来的羊群进入了羊圈,羊倌进屋在补充温饱。年轻的人在寺中学习如何礼拜祈祷。夜已深,淡雾慢慢包围了牧场……清晨又到。羊倌清点着羊的数量是否和昨天一样,他们爬上了山坡走着昨天的脚印,年轻的人一直看着远方。

《橘子》

突然在网络上点开一段连接,里面的展现的是一段IS血腥暴力的屠杀场面,过后许久才能镇定下来 。我们可以退出连接选择忘记这段并没有联系的事件,也如同在便利的消费现代选择个人的处世生活与回避。而那些平行世界发生的事件也对于我们来说事不关己,但有意义的是经过事物(影像处理)表面的变化,你所看到的是一种视觉的美丽虚幻,你会一直的看下去。时间的推进,不断地转动,我们看到不断变换的现实切面。有些转动在历史中重叠,有些转动帮助我们理解。每个瞬息都值得欣赏,每此转换都得以珍惜。

《刀》

片中的人物是在城镇生活工作的制刀匠人约定与现住村镇养老院的部落里最为年长擅猎和制刀的老人安道回到山林中共同打造一把猎刀,制作工具的转换在森林中尤为突显,过程的递进也是经验的传授,老人行动已是不便,但在锻捶时又进入了某种状态。

《⽩驹过隙》

大雪封山,我在山下漫无目的朝向山顶行走,直到在影像中消失。

《温暖的阳光》

在外求学工作多年没有回家,再次回到家乡和母亲见面,我的反应有一些木纳和迟钝而她却一直当我为一个长不大孩子。我们约定在小时候玩耍的草原边看一次日出。在我们越加靠近对方的身体时,也有些生硬的不适。

《不饥不食》

几年里积累了一些日常影像,散乱无序但又是来自生活中思维的成长,整体中出现了一些未知的可能,偶然在一篇文章中谈起保持饥饿感会让人更加净化过渡食用会使得我们变的懒惰晦涩(“谁若能够掌控自己的肚子,他其实就掌控了自己的信仰;谁若掌控了自己的饥饿,谁就有能力掌控自己的行为。”——伊玛目伊布拉欣·本·艾德哈姆)可能就在现代日常生活的行进中,依附于各种事物特性关系的发展延伸,我们怎样控制才会避免失衡,影像拼贴式的呈现也是在努力的集合日常的关联于某种平衡。




In the past, when information was scarce, the problems in life were solved when they appeared. In the process of my creation, most of the origins are inspired by various encounters in life, but also some unclear, even in the time with the works, I do not know what this is. And this comes from the instinctive feedback to life, and will not give rational thinking to give the work a certain definition. Moreover, just after a few years, how many life experiences can there be? What can withstand deliberation and precipitation? On the contrary, it is in this situation that it is so unique in life.

Sheep

In the early morning smoke of the grassland, herdsmen's life begins with clearing the garden. In a city not far away, an old man leads his children to pray for the dead in a mosque. In the meadow near the edge of town, sheepfold fences were opened and shepherds were counting whether the sheep number was the same as yesterday. Sheep and lambs rushed out to climb the hillside and disappeared in the early morning mist. The hens slaughtered in the mosque were pardoned by the Scriptures in Amu’s mouth for the innocence of the eaters. At this time, in the mountains and woods to find a team of lambs. It didn't keep up with the sheep because its eyes were blind, so let's eat it! In the deserted town public security bureau, an old man with cerebral hemorrhage was doing rehabilitation training by himself, slowly moving his feet, while a naked intruder next to him went deep into the broken building. The Shepherd is driving away the scattered sheep in the flock, and two wrestlers in the crowd are pulling each other's weight. Horses run on the grass and people pray in the temple. The sheep returning at night enter the sheepfold, and the shepherd enters the house to replenish his food and clothing. Young people learn how to worship and pray in temples. It's late at night and the pasture is slowly surrounded by light fog. It's early morning again. The shepherd counted whether the sheep were as numerous as they were yesterday. They climbed the hillside and walked on the footprints of yesterday. Young people kept looking at the distance.

Orange

Suddenly, a connection was opened on the internet, showing a bloody and violent massacre scene of IS. It took a long time to calm down. We can opt out of the connection and forget this unrelated event, just as we choose our personal life and avoidance in the convenient consumption of modern times. What happens in parallel worlds is irrelevant to us, but what is meaningful is the change of the surface of things (image processing). What you see is a beautiful illusion of vision, which you will always see. With the advance of time and constant rotation, we can see the changing reality. Some rotations overlap in history, and some help us understand. Every instant is worth appreciating, and every transformation must be cherished.

Knife knife

The characters in the film are the oldest hunter and knife-maker in the tribes who live and work in the village and town nursing home, who are good at hunting and knife-making. They return to the mountain forest to build a hunting knife together. The transformation of tools is particularly prominent in the forest. The process is also the transmission of experience. It is inconvenient for the old people to move, but they enter a certain state when they are beating.

Foal gap

Snow closed the mountain, I wandered aimlessly towards the top of the mountain, until it disappeared in the image.

Warm sunshine

After years of studying abroad and not returning home, I went back to my hometown to meet my mother again. My reaction was a little Muna and dull, but she always thought I was a little child. We agreed to watch a sunrise on the grassland where we played in our childhood. As we get closer to each other's body, we also have some stiff discomfort.

No hunger, no food

Over the years, we have accumulated some daily images, which are scattered and disordered, but also come from the growth of thinking in life. There are some unknown possibilities in the whole. Occasionally, in an article, we talked about that keeping hunger will make people cleaner and over-eating will make us lazy and obscure. ("If anyone can control his stomach, he will actually control his beliefs; Hunger, who has the ability to control their own behavior. Imam Ibrahim Ben Edham) may be in the process of modern daily life, depending on the development and extension of the relationship between the characteristics of various things, how can we control to avoid imbalances, image collage presentation is also an effort to gather the daily relevance of a certain balance.