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康赫，小说家，剧作家，戏剧导演，影像写作创导者，不写诗的诗人。“我在北京生活了二十多年，正好和在浙江老家一样，不知道该算哪儿人。”康赫说，“北京犹如沙地，是流浪汉们的故乡。因而我的命和我的父母一样，是垦荒。”作品长篇小说 :《人类学》、《一个南方的生活样本》、《独行客》影像写作长片：《你好，元点》、《光体》、《裸体采访》短片：《影像人类学》、《一位青年的“洋葱”故事》、《剥洋葱》、《一次关於热内的影像写作》等导演原创戏剧作品：《审问记》、《采访记》、《泄密的心》、《陌生人》、《受诱惑的女人》、《中国鬼魂》、《杂音》编剧作品：《堂吉诃德》声音作品：《中国声音研究之东方红》影像写作文论：《康赫唯一的影评：蔑视》（《艺术世界》杂志2011年第一期）、《闭合与突破》（《上海文化》2018年03期）、《无尽的写作》（《新美术》2018年02期）、《影像中的人物空间关系》（《上海文化》）、《纠缠不清的两个人》（《上海文化》）

Kang He, comes from Xiaoshan, Zhejiang Province, who was born and raised by an bushman and the homeless man. Lived in Beijing from August 1993. After several relocations, he came to Huilongguan from Wangfujing, then took his wife from his hometown and had a son later.  He has changed many careers, such as tutor, chinese teachers of foreign company, columnist of fashion magazines, editor of university website, project planning of performance company, editor of geography magazine, journalist of daily newspaper, director of drama, publisher of food magazine, video writer, stylist, university guest teacher, whip corpse people of contemporary art, image writing promoter. From the real to the virtual, until there is no such. A poet who never wrote poetry. From reality to nothing, until there is no such. A poet who never writes poetry. "Beijing is like the sand, the hometown of the tramps." He said. Therefore, his life is the same as his parents. Works:Full-length novel: Anthropology, A Sample of Life in the South, SolitaireImage Writing Feature Film: Hello Yuan, Light, Nude InterviewShort Film: Image Anthropology, A Youth's Onion Story, Peeling Onion, An Image Writing about Genêts, etc.Directerd Original Drama Work: Interrogation, Interview, Tell Tale, Stranger, The Tempted Woman, Chinese Ghost, NoiseScripting Work: Don QuixoteSound Work: Oriental Red of Chinese Sound ResearchImage Writing Theory: The Only Film Review of Kang He: Despise (Art World Magazine, Issue 1, 2011), Closed and Breakthrough (Shanghai Culture Magazine, Issue 03, 2018), Endless Writing (New Art Magazine, Issue 02, 2018), The Spatial Relationship of Characters in Image (Shanghai Culture Magazine), Two Tangled People (Shanghai Culture Magazine)

无尽的写作

Endless Writing

2018年7月10日（周二）19:30 - 21:30
2018.07.10 (Tues) 19:30 - 21:30

放映Screening ︎

《你好元点》
Hello Metapoint
《影像人类学》
Image Anthropologie
《一次关于热内的影像写作》
An image writing about Genet
《深圳流》
Shenzhen flow
《剥洋葱》
The onion
《回忆马布里奇》
Recall Muybridge

深圳流 Shenzhen flow，2017，
高清影像 HD video，5'54"

对于独行客来说，只存在两个边界，他的身体和他的视野，并不存在其他边界。他在无界的无尽的游荡中享受独行之乐，独行之苦。当他一次次越界而行，被流俗视为跨界者时，他认为自己一直不过走在自己不断生长不断衰减的边界里。

康赫视自己为作家，他所做的一切都是写作。对他而言，“作家”和“写作”主要地不是概念，文学的或其他的，而是行动，一个人的行动：用文字写，用舞台写，用影像写，独自写。写作是个体直接面对媒介、面对未来阅读关系的创造实践，除了“写作”并无边界，除了死亡，并无尽头。