关于艺术家 ABOUT ARTIST

萨提·萨塔拉萨特（1979/泰国），其作品主要关注事物的演变。他专注于与艺术相关的主题、材料、过程和事物的结构，作品还涉及从情景到日常生活场景的各种主题。萨塔拉萨特的作品曾在多个国际展览中展出，其中包括《多平面》，曼谷艺术文化中心，2018；2018年曼谷双年展的COOP部分；《亚洲影像艺术论坛》，韩国国家现代和当代艺术博物馆，首尔，2015；《家庭故事》，KfW基金会，法兰克福，2013；《向亚洲迈进》，ZKM，卡尔斯鲁厄，德国，2013；2006年釜山双年展双城记；纽约亚洲当代艺术周，纽约，美国，2006。萨提·萨塔拉萨特硕士毕业于德国法兰克福国立美术学院，师从Tobias Rehberger教授。最近，萨塔拉萨特开始持续进行一些策展工作，例如2018/2019在清迈展出的群展《不期而至突然出现》。目前，他在曼谷和柏林之间生活和工作。

Sathit Sattarasart (1979/TH), whose works are mostly about how things come to be. While he is focusing on art related subjects, material, process and structure of things, he also works with various subject matters from situational to everyday life scenario. Sattarasart's works have been included in several international exhibition, among them, Multiple Planes at Bangkok Art and Culture Centre 2018; COOP part of Bangkok Biennale 2018; Asian Film & Video Art Forum MMCA; Seoul 2015, Home Stories, KfW Stiftung, Frankfurt am Main 2013; Move on Asia at ZKM, Karlsruhe 2013; the tale of two cities Busan Biennale 2006; Asian Contemporary Art Week, New York City 2006. Sathit Sattarasart graduated as a Meisterschüler from Staatliche Hochschule für Bildende Künste (Städelschule) from the class of Professor Tobias Rehberger. Lately Sattarasart has continued his curatorial works, for instance a group exhibition 'appearing unannounced' in Chiangmai 2018/2019. Currently he lives and works between Bangkok and Berlin.

关于嘉宾 ABOUT GUEST

潘思明，英国曼彻斯特大学影视人类学硕士，2014年底加入时代美术馆，现任公共项目副策展人。

PAN Siming(Cathleen) holds a master degree in Visual Anthropology from the University of Manchester, UK. She joined the Guangdong Times Museum in 2014, currently works as associate curator at Public Programmes Department.

忘却的行为

The Act of Unlearning

2019年04月14日19:30
2019.04.14 7:30pm

《不期而至突然出现》装置现场
installation view: appearing unannounced, 
在Rirkrit Tiravanija工作室举办的群展,
展览基于过渡性变化、不持续一致、变换与空间结构中的更
替的理念
The exhibition is based on the idea of
transitional changes, 
inconsistency, transformation within
structure of the space.
泰国清迈 tambon nam-bo-luang, 2018/2019
照片由247©工作室提供
photo by Atelier 247 ©

嗯嗯嗯嗯（你必须说是，否则......）
enenenen (you have to say yes, otherwise … )
数字C-print，数字印刷铝合金
digital C-print / digital print on aluminium

一开始我们什么都没有。很快，我们开始积累许多图像、想法、幻想、欲望、疑惑、陶醉、迷恋……我们在潜在的场景中开展，寻找问题的答案，搜索自我的镜像，以验证我们真实的存在。我们开始变得匮乏。曾经感觉中立的事物现在顿觉空虚。我们试图用思想、事物和经验来填补这个空间，直到我们变得不堪重负。我们无法区分世界和我们自己。我们开始将我们的内心融入我们的外部，并假设我们在了解事物之前就已经了解它们。我们开始过度依赖于可见的、已经被理解的、我们世界框架内的东西。也许在这个进程的顶峰，我们的下一个任务应该是逐步卸下这些假设，一个接着一个地思考，直到我们离开了框架本身。这个框架是由什么构成的？它如何定义我们的？它的界限是什么，我们真的需要稳固它吗？我们对自我所见的信念已经克服了相信超越视野可及之处的可能。我们的空虚已被转换成丰满，而现在是时候再次为未知的事物腾出空间。

萨提·萨塔拉萨特由朱丽娅·施瓦顿饰演，当她试图成为他时，她不可能成为他。

In the beginning we start with nothing. Quickly, we start accumulating images, ideas, fantasies, desires, doubts, fascinations, obsessions…we play out potential scenarios, we look for answers to questions, we search for our own reflection in order to validate that we are really here. What we started with becomes a lack. What we once felt as neutral now feels empty. We try to fill that space with thoughts, things, experiences. We become overwhelmed. We cannot distinguish between the world and ourselves. We begin to meld our insides with our outsides and assume that we know things before we know them. We begin to be overly dependent on the visible, the already-understood, what is inside of the frame of our world. Perhaps at the crest of this swell of progress, our next task should be to slowly unload these assumptions, piece by piece and thought by thought until we are left with the frame itself. What is this frame made of? How does it define us? What are it's boundaries, and do we really need to nail it down? Our faith in what we can see has overcome our capability to believe in possibilities beyond our vision. Our emptiness has been exchanged for fullness, and now it is time to empty out again in order to make space for the unknown.

Julia Schwadron as Sathit Sattarasart, who cannot possibly be Sathit while she simultaneously attempts to be him.